It can be said that the graphic translation of models and ideas for chasubles and vestments provided the artist’s sensibility, nature, and poetics with a unique tool, a field of inquiry always open to the sovereign freedom of mind and hand, to the joy of tracing forms and colors.
Analyzing this copious production, we see the unmistakable Ruggero style emerge consistently: symbolic simplification, in the Franciscan desire to return to the primary and essential icons of the Christian faith.

Domenico Montalto